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Courting the Muse
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Nothing to You (melancomic ballad)
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Greed
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Pedestal (playful ascerbic folk)
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Nihilistic Twilight
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Crawling After You (country folk innocence)
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Maggie (pop-rock, basement tapes)
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In All Sincerity (ultra-mellow alt-folk)
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Nasty
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Lost (dark metal ballad)
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The Star-Spangled Banner (The Times They Are A-Changin') (new folk twist on an old anthem)
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Sylvia (electronica instrumental version)
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Joe Dimaggio
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Something in the Way (grunge ballad, re-written lyrics)
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Paper Cup (tortured earnest folk)
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The Future
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Parallel World
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Sappy Love Song (sensitive singer-songwriter)
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Hats Off To (Led) Zeppelin (acoustic blues homage)
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Leafprints on Concrete
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Letters to a World
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The Night Is Coming Down (bluesy bar band rock)
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Visions of the Daughters of Albion
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Nice Guy (folk punk + ribald, sophomoric humor)
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Cascadia Borealis (hip hop-esque instrumental, with DJ Plain View)
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Frat Boy Angst (post-drinking song, based on Metallica's "One")
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Breathe (depressing acoustic ballad with strings)
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Strange Night (dreamy blues rock with a hint of swamp)
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Sunny Days (sunny pop silliness)
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Mobile Phone Army
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Limbo
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The Quotidian Inferno (straight folk, no chaser)
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Falling Down (solo acoustic raga rock)
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Sylvia
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Drinkin' Fool (old-timey country drinking song)
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Riff (slightly gothish new wave alternative rock)
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She Put It In A Cup (hair metal band acoustic ballad parody)
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Limbo (1980s-style alternative acoustic pop)
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Solitary Man (modern troubadour folk, homage to Bob Dylan)
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Generation Gap (dark 1980s-style synth pop, instrumental version)
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Boxes
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Looking Glass Self
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Psychopath Killer (heavy metal + satire)
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Transatlantic (electro-funk chillout instrumental, with DJ Plain View)
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Tiny Victories (occasional song, brother's wedding)
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Watching Anime (with lyrics)
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Everybody Wants a Gun (trashy, lo-fi grunge + satire)
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Songs from the Second Floor (Global DJ with vocals, feat. DJ Plain View)
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Fan (slightly psychedelic crooning reggae)
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Invisible (indie folk on a bed of alienation and a side of sighs)
I like as we're watching a movie, when you touch my knee.
Even though I know, it's only accidentally.
Or when you come close to me in a bar, and talk into my ear,
Because the music's too loud, and we're drunk on beer.
I know it means nothing to you
I know it means nothing to you
...
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