Mrtzcmp3
  • The Tragedy
  • The Tomb Song
  • The Machine
  • The Progress
  • The Wasteland
  • The Water Song
  • The Tree
  • The Hymn
  • Opening Monologue
  • An Aurora: The Crux Candide
  • Beneath Every Powerline there is still a Graveyard
  • Mdcclxxv
  • England: Theatre of the Air
  • A Dénouement
  • Phosphorescence A.D. 79: Burying The City Of Pompeii, Or "Psyche"
  • Fluorescence A.D. 1429: Burning The Body Of Joan Of Arc, Or "Cupid"
  • beneath every powerline there
  • Fluorescence A.D. 1492: Burning the Body of Joan of Arc, or "Cupid"
  • Fluorescence A.D. 1429 Burning the Body of Joan of Arc, or "Cupid"
  • Phosphorescence A.D. 79: Buryi
  • Fluorescence A.D. 1429: Burnin
  • empathy
  • Chapter Three
  • Ariadne on Naxos
  • Mythos Introduction, Vulture a
  • Fluorescence A.D. 1429: Burning The Body Of Joan Of Arc, Or 'cupid'
  • Fluorescence A.D. 1492: Burning the Body of Joan of Arc or Cupid
  • Fluorescence AD 1429 - Burning The Body of Joan of Arc, or ''Cupid''
  • Phosphorescence A.D. 79: Burying the City of Pompeii. or "Psyche"
  • Mythos Introduction, Vulture and void
  • Fluorescence A.D. 1429: Burning the Body of Joan of Arc. or "Cupid"
  • A Denouement
  • Fluorescence A.D. 1429 Burning
  • England; Theater of the Air
  • Scene III: MDCCLXXV
  • England; Theatre of the Air
  • Phosphorescence A.D. 79: Burying The City Of Pompeii
  • Intermission
  • Fluorescence A.D. 1429: Burning the Body of Joan of Arc Or Cupid
  • Phosphorescence A.D. 79: Burying the City of Pompeii or Psyche
  • The Pax Cecilia - 01 - The Tragedy
  • Tomb Song, The
  • Tree, The
  • Water Song, The
  • the watersong
  • Tragedy, The
  • Progress, The
  • Machine, The
  • Scene I: Fluorescence A.D. 1429: Burning the Body of Joan of Arc, or "Cupid"
  • An Aurora : The Crux Candide

and those flames devour all!
we fear not the flood, we fear not the drought
we fear not the peak, nor the valley ensuing

we do not fear the song
we only fear its end
we only fear its consummation

so onward!

when we were young
our mothers looked with our eyes
out and over everything
oh, those wide fields of tall wheat
and, oh, those busy streets
...

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