加川良
Ryo Kagawa (加川 良 Kagawa Ryō, November 21, 1947 – April 5, 2017) was a Japanese folk singer and singer-songwriter. Kagawa was known as a central figure in the Kansai folk-music boom of the late 1960s and early 1970s in Japan, and was a key influence on the early musical development of such major Japanese artists as Tsuyoshi Nagabuchi. Kagawa was born in Hikone, Shiga Prefecture in the Kansai region of Japan anchored by the major centers of Osaka, Kyoto, and Kobe. As a student at Kyoto Sangyo University, Kagawa was active in the school's popular music club, singing in Beatles and Rolling Stones cover bands. At the start of the 1970s, Kagawa was employed with Art Music Publishers, which handled copyright matters for the Underground Record Club (URC), a record label and distribution company that played a central role in the Kansai folk music boom of the late-1960s and early 1970s. While working with URC, Kagawa developed a relationship with prominent Kansai folk artist Wataru Takada, and, influenced by Takada and other artists such as Woody Guthrie, Ramblin' Jack Elliott, Hiroshi Iwai, Nobuyasu Okabayashi, and others, Kagawa began singing and composing folk himself. In 1970 he put in an unscheduled appearance at the 2nd Nakatsugawa Folk Jamboree, where he debuted the anti-war anthem Kyokun I (Lesson I) that catapulted him into folk's mainstream. Kyokun I would become Kagawa's signature song, and would go on to form the basis for parody tunes such as Kenichi Nagira's Kyo...
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教訓 I
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ゼニの効用力について
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その朝
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できることなら
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伝道
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夜明け
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求めます
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妹に送る唄
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戦争しましょう
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あきらめ節
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赤土の下で
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教訓Ⅰ
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悲しい気持で
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下宿屋
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あした天気になあれ
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知らないでしょう
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ラブソング
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かかしのブルース
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偶成
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あの娘と長崎
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たかが私にも
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白い家
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子守唄をうたえない親父達のために
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こんばんわお月さん
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つれづれなるままに
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こがらし・えれじぃ
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教訓1
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コオロギ
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鎮静剤
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靴ひもむすんで
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こもりうた
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悲しい気持ちで
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2分間のバラード
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夕焼けトンボ
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親愛なるQに捧ぐ
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流行歌
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教訓1
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ウイスキー色の街で
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駒沢あたりで
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東京
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祈り
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オレンジ・キャラバン
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教訓
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北風によせて
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ばびぶぶべべ
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君におやすみ
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転がりつづける時
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高知
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女の証し
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愛をうたってみせるほど
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