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Ramoncín


Always polemic that makes début in 1977 with the single 'Marica de terciopelo', a topic standard-bearer of the Spanish rock of the second half of the seventies. With a hard style, steely guitars, and a few lyrics that discover the darkest and sordid side of the human soul, Ramoncín manages to do a hollow to him between the punk bands punks of the epoch. Together with W.C.? he records his first L.P., 'Ramoncín y W.C.?', in January, 1978, and for the history songs stay as 'Cómete una paraguaya', 'Rock and roll Dudua', or the emblematic one 'El rey del pollo frito', who from the same instant of its publication, and very in spite of the own Ramón, turns into the second name for the artist person. The second disc, 'Barriobajero', goes out to the sale one year later appearing a few topics nearer to the (sad) reality of that epoch to the detriment of the extreme prominent figures of the first album. A few prominent figures who would not to appear any more. Nevertheless, Ramoncín purifies his skill, turning into heroes the authentic protagonists of the roll, these types that walk along the street with the hands in the pockets and that look at the world across dark glasses, sheathed(stuffed) in his you suck of leather. This way, 'Arañando la ciudad' he appears in 1981 as a haughty ode to the humorous speech, the low funds, the drugs, the sex (very present in the whole work of the artist): definitively, to the rock ' n roll. To this album they would follow him '¡Corta!' (with ...

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