あがた森魚
Agata Morio made his debut in 1972 with his now famous love song Sekishoku Elegy. His trademark long hair, jeans and geta sandals made him one of the symbols of the 'gentle generation' from the early seventies, and a dominant singer/songwriter of the time. Although influenced by contemporary American folk/rock music and the hippy movement, he was not a mere follower, and created a thoroughly original music world which evoked the romantic popular culture of Taisho and Showa era-Japan. After his debut album Otome no Roman, he zoomed through the seventies and eighties with the release of such works as Aa Mujou (Les Miserables), Zipangu Boy, Eien no Enkoku, all pregnant with the Morio Agata worldview. The release of Bandoneon no Jaguar in 1987 coincided with the Tango boom of the time, and also marks the start of Agata's foray into World Music, resulting in his formation of Raizo in the early nineties. Since then his activities have spread to many fields such as film production and writing, and in the 21st century he released Sato Sensei wa Zankoku na Hito desu kedo, surrounding himself with talents such as Makoto Kubota, Soichiro Suzuki, and HARCO Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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Top Tracks
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赤色エレジー
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4000粒の恋の唄
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乙女の儚夢
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春の調べ
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清怨夜曲
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大道芸人
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冬のサナトリウム
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薔薇瑠璃学園
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大寒町
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雨傘
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秋の調べ
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女の友情
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電気ブラン
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春の嵐の夜の手品師
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曲馬団小屋
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いとしの第六惑星
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君はハートのクイーンだよ
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森の小人
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リラのホテル
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サブマリン
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蒲田行進曲'74
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星のふる郷
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君はハートのクィーンだよ
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はいからはくち
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つめたく冷して
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キネマ館に雨が降る
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水晶になりたい
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百合コレクション
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永遠のマドンナK
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ヴヰクトリアルの夜
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月曜日のK
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パール・デコレーションの庭
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上海リル
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Mezcal(はじめに歌ありて)
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テレビヂョン
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最后のダンスステップ(昭和柔侠伝の唄)
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佐藤敬子先生はザンコクな人ですけど
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恋のラジオシティ
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ブリキ・ロックンロール
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港のロキシー
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骨
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コックテイル・マシーン
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1970ハネディアン
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薄荷糖の夏
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夜のレクエルド
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エアプレイン
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山田長政
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ヂパング・ボーイ
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ノオチラス艦長ネモ
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函館ハーバー猫町ホーボー
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