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Halifax

emo

In 2003, Halifax was just another in a myriad of unsigned indie outfits rolling the highways of North America. Sharing van space, shitty hotel rooms, bodily aromas, Old Milwaukee and a collective dream in between crappy jobs in chain restaurants and landscaping, the group recorded and supported its initial EP, A Writer’s Reference. Within a year’s time, Halifax found itself among the rookie bands on the 2004 Warped Tour. By early 2005, after bowling them over Drive-Thru founders Richard Reines and Stefanie Reines during a New Jersey gig with The Early November, the label tweaked and reissued Reference. Halifax continued touring and building its fanbase while concocting what would become The Inevitability of a Strange World, a collection of riff-heavy arena rock anthems that blend post-punk hardcore with hard rock influences, a la Mötley Crüe. The band took a three year break which was everything but a holiday: it was “a trial in life that gave us one ultimatum: stand up and fight for what we believe in or break up. 90% of bands fail, we like to think we're in the other 10% explains Tommy. “Not to mention how much we have matured in the last 3 years as musicians and songwriters, let alone adults. We planted our feet firmly on the ground when we made this commitment to music and it’s going to take a lot more than faulty indie labels, lawsuits, and debt to sniper us out. We're not a band that backs down when faced with barriers. We have more respect for our fans an...

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