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Aporea


Aporea or Apokrifna Realnost (Apocryphal Reality, Macedonian Cyrillic: Апореа / Апокрифна Реалност) from Skopje, Macedonia, was a multimedia project whose musical output could easily fit the best tradition of any ritual industrial bands that rose in mid and late 1980s era on labels like Nekrophile Rekords, ADN, Touch, etc. What was an important influence for all of the bands from Makedonska Streljba, for Aporea it was a starting ground: the active exploration of the complex relationships with their own cultural and spiritual heritage through a specific postmodern, westernized frame of work - art exhibitions, music distributing, subcultural activity, as means of reconciling their people with the new reality they were heading to, but in the same time - finding an adequate modus viviendi for an individual's own spiritual continuance within the sociological context of postmodern Europe. In Aporea's mythology, the context in which that transition would be made possible is referred to as New Europe and it is best described in words of Goran Lišnjić's 1989 article Lanterna Magica about Aporea: Spiritual nation becomes and remains in the spiritual homeland without borders. Under the spiritual guidance of Father Stefan Sandžakovski of the Macedonian Orthodox Church, Aporea was a loose collective of people of whom the most prominent were Goran Trajkoski, Zoran Spasovski, Metodi Zlatanov and Neven Ćulibrk. The remaining outer core was comprised of painters-ic...

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